quote:
Originally posted by bronwen:
compare and contrast the principle elements of the movement...
Ahhhh, now this is a challenging question !

...assuming I know what you're talking about

Despite the seemingly unquestionable virtue of the philosophy of the movement, the 'principle elements' as professed by Stickley and Hubbard and others, were also the things that ultimately contributed to the death of the movement. For example, Gustav's philosophy and furniture reflected the ideals of strength, durability, handcraftmanship (to a certain degree), and so on, but ultimately he produced a relatively expensive product which was not affordable to the commoner, and as a result he went bankrupt. This 'contrast' is quite ironic because it was the common man who, in theory, was the slave that the philosphy was trying to liberate from industrialization, and turn him into a social artist and craftsman. The irony of course continues to this day because much of the work of Gus and the Roycrofters etc. is for the most part still unaffordable to most common folks (like me

). Nonetheless, Gus and others ignited and influenced a surge in manufacturing of furniture and other wares, that copied and translated the 'movement' into more affordable goods for the masses. This in itself could also be seen as ironic because much of this other furniture was mass-produced on assembly lines with lesser degrees of handcraftmanship (which of course irked Gus). However, much of the product of the other makers from Grand Rapids and other areas, survives to this day because it has ended up being relatively durable, functional, unique, and aesthetic work. In contrast there was also a significant amount of junk produced and slowly, surely, and thankfully it is disappearing from the market.
The 'comparison and contrast' of the 'principle elements' thus seems to be full of ironic circumstance, both in the movement of the past and the movement of the present.
So that's my little view, with a focus on Gus and the furniture business, for what it's worth.